January 21–February 20, 2022
Opening — January 20 at 18:00
All-Russian Decorative Art Museum
Delegatskaya st., 3
Moscow, Russia
With the support of CYLAND MediaArtLab
Continue reading “It’s About Time to Launch the Quick Brown Fox Again… Isn’t It?”
December 21 – 30, 2021
Multimedia Installation
Borey Art Center
St. Petersburg, Liteyny Prospekt 58
Supported by Cyland Media Lab
What is “unidentified”? A city madman without identification? Any object of unusual shape? Actually, it can be anything about which we have insufficient information.
Continue reading “Anna Frants. VISIONARY DREAMS № 3292-3296. UNIDENTIFIED OBJECTS.”
04 March 2021 – 11 April 2021
Saint Petersburg, Birzhevaya Line, House 16, Art & Science Center
Supported by CYLAND MediaLab.
Exactly one year after the start of the pandemic, an international exhibition of scientific and technological art dedicated to exploring the dynamics of viral matter opened in the exhibition space of the Art & Science AIR Center. The project “Staying with the Trouble” brought together well-known contemporary artists from 7 countries, with this exhibition being the first in Russia for most of the foreign participants. Among the exhibits is a new project by the famous artist Heather Dewey-Hagborg, which is being shown for the first time in the world.
Continue reading ““Staying with Trouble” at the AIR Gallery of ITMO University”
Art Works by Anna Frants and Lyudmila Belova will take part in the exhibition «Homage to a Personage» at the Sergei Kuryokhin Center for Contemporary Art.
Exhibition opening: February 18 at 7 PM
Hours:
Mon-Sat: 12 AM — 9 PM
Sun: Closed
Sergey Kuryokhin CCA, St. Petersburg,
Ligovsky pr. 73, 4th floor
T: +7 812 322 4223
Continue reading “Exhibition “Homage to a Personage” at the Sergei Kuryokhin Center for Contemporary Art”
ARE PROUD TO PRESENT:
“Cosmos and Chaos”
A special issue of Leonardo journal (MIT Press).
Leonardo is a peer-reviewed academic journal published by The MIT Press. Founded in 1967 in Paris by kinetic artist and astronautical pioneer Frank Malina, Leonardo has become the leading international journal on the influence of science and contemporary technology on art and music, and also on how art and discoveries in the humanities change science and technology. Leonardo articles are actively indexed and hold third place on Google Scholar among texts on visual art (data for 2020).
Continue reading “Special issue of Leonardo – “Cosmos and Chaos””
February 6 — March 10, 2021
Audiovisual installation
Marina Gisich Gallery
St. Petersburg, emb. of the Fontanka River, 121
8 (800) 100-43-04
Curator: Dmitry Renansky.
The Project is technically supported by CYLAND MediaArtLab.
«The flesh of the installation is formed by a technique that visually creates the impression of mad technogenic bustle, the “demonic life”. The audio is an ecstatic “symphony of comfort”. Before us is an army battered by struggles with consumer greed.»
Vladimir Rannev
Marina Alekseeva has always been interested in the social structures of contemporary society, which the artist has explored through the prism of the physical and material environment of human habitation. A new joint project with Vladimir Rannev reflects back on a series of Alekseeva’s lightboxes from the 2000s that recreated miniature versions of the interiors of various religious buildings, from a cathedral to a mosque and an Orthodox church. The subject under examination in the total installation “The Whole Shebang” is the main temple of the modern human — their home, filled to the brim with devices and gadgets.
Continue reading ““THE WHOLE SHEBANG” by Marina Alexeeva and Vladimir Rannev”
January 29, 2021 – March 26, 2021
MARINA GISICH GALLERY
Russia, St. Petersburg, emb. of the Fontanka River, 121
The project technical support – CYLAND Media Art Lab
“Any war begins with the willingness to fight. And this willingness is cultivated using militaristic slogans, hateful propaganda, and manipulation of patriotic feelings. In this sense, every war begins with words, before any shots are fired. The audiovisual installation “Ready To Repeat” is our response to the rhetoric of hate that is spreading worldwide, especially in political circles – and that we are strongly against.” (V. Rannev, M. Alekseeva)
Continue reading ““Ready To Repeat” at Marina Gisich Gallery”
The artists of the CYLAND MediaArtLab will take part in the Christmas festival of contemporary art in Vyborg ‘What’s going on at the baby carriage factory?’
When: December 26, 2020 — January 10, 2021
Where: 5 naberezhnaya sorokaletiya VLKSM, Vyborg, Russia
Opening: December 26, 2020 at 7pm
Curators: Philipp Avetisov, Julia Rybakova
The festival is organized with the support of CYLAND MediaArtLab.
The exhibition will feature works from the collections of the Museum of Nonconformist Art, Art-League Gallery, Polkovnik Gallery (Yuri Nikiforov) and the private collection of the Frants family, including objects by Alexander Terebenin, Peter Bely, Alexander Shishkin-Hokusai, Anna Frants, Elena Gubanova, Ivan Govorkov and many others.
Continue reading “Christmas festival of contemporary art in Vyborg”
December 25 – 31, 2020
Media Installation
Animation, programming, real-time cameras positioned around the globe. 2020
Borey Art Center
St. Petersburg, Liteyny Prospekt 58
For fourteen consecutive years at the end of December, American multimedia artist Anna Frants presents her new project to the cultural community of Saint Petersburg. This year, the exhibition has moved beyond the walls of Borey and the media installation can be seen in the windows of the gallery on Liteyny Prospekt.
ARE PROUD TO PRESENT:
LASER Talks CYLAND St.Petersburg
On December 12, 2020 at 12 PM EST (New York) / 20:00 (St. Petersburg — RU)
Art Data: Collecting, Preserving and Displaying Digital
Panelists: Christiane Paul, Anna Frants, Lev Manovich, Anne Spalter
Moderator: Natalia Kolodzei
Digital, computer, internet, software, and multimedia art forms — from CD-ROM-based multimedia projects to net.art — have been created for many years and have entered the mainstream art world. Milestone exhibitions such as the Whitney Biennial included digital works as early as 2000 and Whitney Museum’s artport was launched in 2001. University art departments around the world are formalizing digital media programs; textbooks on digital art have been published; conferences around art and technology are thriving; and gradually museums and private collectors are beginning to accession works in digital media into their art collections.