Category: 2015

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CYLAND Participates at The Magician’s Hat Exhibition in Moscow

The Magician’s Hat opens on December 23, 2015 at the Solyanka State Gallery (Solyanka street 1/2, bld. 2) in Moscow. The exhibition will be on display until February 23, 2016.

CYLAND MediaArtLab artists Anna Frants and Elena Gubanova participate at The Magician’s Hat exhibition the Solyanka State Gallery in Moscow. The exhibition is dedicated the moomins and other idols of childhood.

The Moomins are the children of the outstanding Scandinavian storyteller (and also the artist and poet) Tove Jansson. Not only did she invent her characters, but, unlike Astrid Lindgren (creator of the hero of last year’s hugely popular Karlsson-on-the-Roof Exhibit at Solyanka), she also illustrated her own books. More specifically, she first drew them and then accompanied the result with words, hence the primacy of the image in this case.

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Anna Frants. VISIONARY DREAMS №3268-72

December 22 – 26, 2015
Video and Audio Installations
Borey Art Center
St. Petersburg, Liteyny Prospekt 58
Vernissage on December 22 at 18:00

As in previous years, Anna Frants presents video and audio installations. The artist’s works become partly fantasy and partly an instinctive immersion, intertwined with programming and robotics. This year’s exhibition continues the series of works “Personal Space” begun in 2015, dedicated to the phenomenon of attachment/love to the inanimate. In “Other Shores,” Nabokov called it an “individual secret”: “With unexplainable tranquility, I looked through the glass at a handful of distant diamond lights, shimmering in the blackness of distant hills, and then as if slipping into a velvet pocket. Subsequently, I distributed such treasures to the heroes of my books, to somehow get rid of this wealth.”

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CYLAND Presents Video Exhibition by Russian Artist Alena Tereshko

On December 5 CYLAND presents video exhibition by Russian artist Alena Tereshko at the TAIGA Space in St. Petersburg. Tereshko is a frequent participant of CYLAND video art related events, her new exhibition “Conditional Field” invites us to experience the intersections of media: from analog to digital, text to pure visual, and also explore the interaction of scales, angles, volumes, and picture planes.

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Exhibition PATTERNS OF THE MIND – 9th CYBERFEST

Cyland Foundation Inc.

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THE 9TH ANNUAL CYBERFEST EXHIBIT PROGRAM

STATE HERMITAGE MUSEUM
November 25 – December 2, 2015

Exhibition PATTERNS OF THE MIND

Curated by Anna Frants and Elena Gubanova

The Youth Educational Center of the State Hermitage Museum

OPENING: November 25, 6:30 PM
State Hermitage, General Staff,
entrance from Moika River Embankment, d. 47

The 9th ANNUAL CYBERFEST Exhibition, “PATTERNS OF THE MIND”, explores the resurgence of the artist’s message across media and the complex new forms that have evolved to complicate the production and perception of art itself.

Anna Frants — CURATORIAL STATEMENT

Featured works:
Nicola Rae (UK) / “Reciprocal Resonances Refracted”, 2013
Anna Frants (Russia-USA) / “Hands”, 2009 / 10:17
Sven Pahlsson (Norway) / ”Running High I”, 2013
Carla Gannis (USA) / “The Runaways”, 2010-2011
Sandrine Deumier & Philippe Lamy (France) / “gogatsuByo”, 2015 / 14:51
Ant Dickinson (UK) / “Nothing New “, 2014 / 10:00
Lei Lei (China) / “Recycled “, 2015 / 05:22

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The 9th Annual CYBERFEST Opens in Berlin

Cyland Foundation Inc.

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The 9th Annual CYBERFEST opened in Berlin, Germany on October 16, 2015. With landmark exhibitions drawing crowds of more than 10,000 to international art and technology exhibitions in St. Petersburg, Tokyo, Berlin, and New York City in previous years, the 9th annual CYBERFEST will pioneer a global public art program at three carefully curated venues in Berlin, London and New York.

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Tele-bridge to Vilnius: Marcelo Terreni’s Presentation

Cyland Foundation Inc.

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On August 25, 2015 CYLAND MediaArtLab hosted presentation by professor Marcelo Terreni on nonlinear languages at the White Hall of the Taiga Space in St. Petersburg. With its course of lectures and workshops on art and technology CYLAND MediArtLab provides an educational platform to share thoughts and gain experience from artists, critics, curators, coders, engineers and media activists. This platform had already proven the need and desire in media arts education from general public. CYLAND educational events provide reach discussions on possibilities of art and technology integration.

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ON MY WAY in Venice

Cyland Foundation Inc.

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ON MY WAY exhibition
May 8th – July 5th, 2015
in Venice, Italy / parallel 56th Venice Biennale

The exhibition ON MY WAY will open at the Cultural Zone of the Venetian University Ca’ Foscari, and it will be on view until July 5, 2015. The exposition will showcase works by contemporary artists and several paintings by members of the Arefiev Circle from the Frants family collection.

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Anna Frantz’s Personal Exhibition “TEMPEST IN A TEAPOT” at RSUH

“Anna Frantz has always wanted to understand how the world works, by the way things sound when tapped, their smell, and how shadows move. This attention to the meaning of things – their sense – led her to a point in her life where she began to create them: not just objects and structures, but also impressions, sensations, and emotional responses…”

Natasha Kurchatova “The Structure of Feelings”

On February 19, 2015, in the exhibition hall of the Museum Center of RSUH, the exhibition ‘Tempest in a Teapot’ by Anna Frantz opened, featuring works from different years.

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OVERCOMING THE EVERYDAYNESS. CONTEMPORARY ART FROM ARMENIA

Cyland Foundation Inc.

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OVERCOMING THE EVERYDAYNESS.
CONTEMPORARY ART FROM ARMENIA

in the LUDA Gallery, St Petersburg, Russia

22 JANUARY – 5 FEBRUARY 2015

Mokhovaya 42, St Petersburg, Russia

+ 7 999 034 60 99
+ 7 911 968 64 84

This project is about the city, focusing on those places where criticism and non-compliance with the general routine are possible. It’s about recognizing “moments” which, according to Henri Lefebvre, “raise questions about the relationships between social life and nature and erase the conventional boundary between nature on one side and society and culture on the other, showing that the individual cannot be separated from society.” How do these “social relationships and forms of individualized consciousness” disrupt everyday accepted norms? How do these “moments” contribute to the formation of this other, invisible city described by artists? How tangible and real is it? Or are the artists themselves creators of this marginal space, explored and owned by them? Continue reading “OVERCOMING THE EVERYDAYNESS. CONTEMPORARY ART FROM ARMENIA”

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