AT THE NEW YEAR

Cyland Foundation Inc.

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AT THE NEW YEAR

in the LUDA Gallery, St Petersburg, Russia
DECEMBER 29, 2014 – JANUARY 14, 2015

Mokhovaya 42, St Petersburg, Russia
+ 7 999 034 60 99
+ 7 911 968 64 84

AT THE NEW YEAR
The final project of the year by the LYUDA gallery features a video installation titled “Into the New Year” by Moscow artist Nastya Kuzmina. This three-channel projection reconstructs a celebration that Nastya organized on New Year’s Eve for passengers in a sleeper carriage of a Moscow-St. Petersburg train. The gallery was transformed to resemble a train carriage, with LED strips on the floor and walls mimicking the festive twinkling in the film. For Nastya, working with space is crucial, and it was of primary importance during the preparation process. Continue reading “AT THE NEW YEAR”

Anna Frants. VISIONARY DREAMS №3264-68

December 23 – 27, 2014
Anna Frants and Cyland Media Lab.
Video and Audio Installations.
Borey Art Center
St. Petersburg, Liteyny Prospekt 58
Vernissage on December 23 at 18:00.

This year’s annual exhibition of Anna Frants at the Borey Gallery is dedicated to the theme of anxiety. Is there a source of anxiety or is it a figment of our brain’s chemistry? There is no objective answer to this question when it comes to an individual. However, there is a certain calmness and stability in the world of one. This is what we are talking about…

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CYBERFEST 2014: THE OTHER HOME (S)

Cyland Foundation Inc.

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CYBERFEST 2014: THE OTHER HOME (S)

November 2014 — January 2015
St Petersburg, Moscow, Tokyo, Berlin, New York City

CYBERFEST is the original, biggest festival for tech based art in Russia. Founded in 2007, CYBERFEST expanded to Germany in 2013. In 2014, CYBERFEST reaches international levels by branching to 5 innovative cities on the Art & Tech frontier, strengthening cultural exchange among innovators.

In 2014, CYBERFEST «The Other Home (s)» explores the commonalities and differentiations among physical, emotional and cultural manifestations attached to the concept of «home».

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CYBERFEST 2014 – Tokyo – PATTERNS OF THE MIND

CYLAND / IVAN GOVORKOV / DANIIL FRANTS
“PATTERNS OF THE MIND”
Live Drawing, Pencil on Paper
(translated into 3d by CYLAND technology creator Daniil Frants)

Not a sketch, painted canvas, nor a performance – CYLAND artist Ivan Govorkov’s “Patterns of the Mind” is a hybrid between graphics, easel painting and action in the spirit of Abstract Expressionism or Late Surrealism. Drawn by the artist live in the exhibition space, viewers experience the composition alongside the artist as it comes from hand in 2D and is translated into 3D by accomplished technology teen wonder – CYLAND artist Daniil Frants.

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CYBERFEST 2014 VIDEO ART PROGRAM. THE OTHER HOME

Cyland Foundation Inc.

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CYBERFEST 2014 VIDEO ART PROGRAM. THE OTHER HOME

in the LUDA Gallery, St Petersburg, Russia

20 NOVEMBER, 2014

Liuda Kartoshkina (Russia) / Seasons, 2011 (4:06)

Mokhovaya 42, St Petersburg, Russia
+ 7 999 034 60 99
+ 7 911 968 64 84

Screening: THE OTHER HOME

Featuring Video Shorts by: Jermolaeva Anna, Francesca Fini, Marcantonio Lunardi, Mark Salvatus, Aujik, Rasmus Albertsen, Vassiliev Yuri, Alena Tereshko, Mauricio Sanhueza, Sandrine Deumier and Alx_P.op., Yannis Kranidiotis, Arya Sukapura Putra, Jean-Michel Rolland, Eleonore Joulin, Maria Korporal, Liuda Kartoshkina, Emilija Skarnulyte, Ryo Ikeshiro

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FOUR CORNERS. CONTEMPORARY ART OF BELARUS

Cyland Foundation Inc.

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FOUR CORNERS. CONTEMPORARY ART OF BELARUS

in the LUDA Gallery, St Petersburg, Russia

5-16 NOVEMBER, 2014

Mokhovaya 42, St Petersburg, Russia
+ 7 999 034 60 99
+ 7 911 968 64 84

The exhibition “Four Corners” presents four authors working in Belarus: Mikhail Gulin, Sergei Shabokhin, Roman Aksyonov, Karen Karnak. The exhibition does not set itself the task of making a full-fledged cross-section of Belarusian art; that would be too pretentious a task. My task was to select some authors who operate in the format of another country. Since I was born, raised and studied in Belarus, I somehow have an idea about the artistic processes in Minsk and other cities of the Republic. However, I realized that I can no longer objectively evaluate and understand the artistic situation in the Republic of Belarus. One way or another, I call on artists who are on the surface, who declare themselves, act, exhibit and take an active part in the cultural process. An important aspect of the choice was the geography of the artist’s presence in the Republic. Many Belarusian authors operate outside of Belarus, achieve success, implement projects and often show their art as part of “Belarusian art” projects. This project is aimed at artists who are at a short distance from the Belarusian social climate. Each of the presented authors chooses their own strategy and their own path of development based on taste, interests, political views… This exhibition is not a monolithic series of like-minded people, but four different creative strategies and their strategists – artists. Remembering my part of life in Belarus, I remember that in a small country there are always different vectors for development, which are most often associated with leaving. Left, right, middle, or staying where you are, as if at a crossroads, is a constant choice. My art school group dispersed in all directions, some in the west, some in the east, and a few remained in Belarus. For me, the most interesting thing is the development of artists who are in the Republic today. In this project, it is more interesting for me to see artists who create and think, who decide what is more important for them personally to show than to build a project that can be understood by the St. Petersburg public. My role in the project is to be useful to artists and nothing more.

Semyon Motolyanets

Continue reading “FOUR CORNERS. CONTEMPORARY ART OF BELARUS”

BOBBY WAS KILLED TWICE

Cyland Foundation Inc.

ARE PROUD TO PRESENT:
BOBBY WAS KILLED TWICE
in the LUDA Gallery, St Petersburg, Russia
11-25 OCTOBER, 2014

Mokhovaya 42, St Petersburg, Russia
+ 7 999 034 60 99
+ 7 911 968 64 84

Teleportation is a complex experience. He awoke in the twilight coolness of a new setting. Here and now. Gathering his thoughts, he tried to remember what to commit to memory. The narrow rearview mirror. A diorama of a suburban forest park, illuminated by the tremor of a street lamp. Creating a photofit of his own face, finding a map of pre-hidden reliquaries, feeling under the seat for the ignition key. Continue reading “BOBBY WAS KILLED TWICE”

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